Jane Fulton Alt has exhibited extensively both nationally and internationally. Alt is the recipient of numerous awards. Her work can be found in the permanent collections of the Museum of Fine Arts in Houston, New Orleans Museum of Art, Smithsonian Museum of American History, Beinecke Library at Yale University, Centro Fotografico Alvarez Bravo in Oaxaca, Mexico, Center for Photography at Woodstock, Harry Ransom Humanities Research Center, De Paul University Art Museum, Southwest Museum of Photography and the collections of William Hunt and Rick and Deann Bayless. Alt is the recipient of the 2007 Illinois Arts Council Fellowship Award and the 2007-2009 Ragdale Foundation Fellowships. Her most recent work on Hurricane Katrina has been published in a book entitled Look and Leave: Photographs and Stories of New Orleans's Lower Ninth Ward.
Alt’s photographs explore universal issues of humanity, reflecting an interest in the mysteries of life and the non-material world. Her photographs ask us to consider issues of love, loss, and spirituality, which transcend notions of race, religion and culture.
About The Burn
While accompanying restoration ecologists on prescribed prairie burns, I am drawn to the ephemeral quality of a single moment when life and death do not seem opposed to each other, but are parts of a single process to be accepted as a whole.
Controlled burns imitate naturally occurring fires by removing accumulated dead vegetation and releasing seeds from dormancy. By opening the woodlands to more sunlight, the fires prepare the soil for new spring growth, and the cycle of renewal continues.
–Jane Fulton Alt
TAKESHI SHIKAMA: SILENT RESPIRATION OF TREES
November 2 to December 31, 2010
Takeshi Shikama's work has been seen in solo and group exhibits in galleries and museums around the world. Among these is a solo exhibit at Denmark's Johannes Larsen Museet as part of the 2009 Odense Foto Trienniale. He was also one of nine artists invited to exhibit in Foto Fest's New Discoveries II in Houston in 2009. PhotoEspaña Takeshi invited to enter his book, Silent Respiration of Forests, in the Best Photography Book Award competition in 2008. His work is in the permanent collections of museums such as the Bibliothèque Nationale de France; the Museum of Photographic Arts, San Diego; the Museum of Fine Arts, Houston; the Santa Barbara Museum of Fine Arts; and the Museet for Fotokunst Brandts, Odense, Denmark.
Silent Respiration of Forests
An endless stretch
Of tree columns overlapping one another,
Ever so rhythmic to the eye
There pervades a deep silence.
Yet, listening carefully to the surging, undulating sea of trees,
A slight murmur can be heard.
Beckoned by this voice,
I step inside this unknown world.
Wondering to myself:
Is this really the entrance to a blissful paradise?
Between the cluster of trees, I catch a glimpse of a huge tree.
As if magnetized,
Step by step, I find myself approaching this tree,
Tilting its enormous trunk at a slight angle.
Wearing a lofty air befitting the lord of the forest ...
Suddenly,
I sensed a voice from deep within the curtain of silence
Warning me not to go any further.
And I stopped.
The depth of the forest was filled with an uncanny air
For something seemed to be lurking there.
–Takeshi Shikama
CAMILLE SEAMAN: DARK ICE AND THIS OTHER WORLD
Early 2011
Since 2003, Camille Seaman has concentrated on photographing the fragile environment of the Polar Regions. Her photographs have been published in National Geographic Magazine, Italian Geo, The New York Times Sunday Magazine, Newsweek, Outside, Zeit Wissen, Men's Journal, Camera Arts, Issues, PDN, and American Photo, among others. Her photographs have received many awards including a National Geographic Award, 2006; and the Critical Mass Top Monograph Award, 2007. In 2008 she was honored with a one-person exhibition, “The Last Iceberg,” at the National Academy of Sciences, Washington DC. She frequently leads photographic and self-publishing workshops. Seaman was born in 1969 to a Native American (Shinnecock tribe) father and African American mother. She graduated in 1992 from the State University of New York at Purchase, where she studied photography with Jan Groover, and has since taken master workshops with Steve McCurry, Sebastiao Salgado and Paul Fusco.
HEATHER POLLEY
On-Going
Heather Polley's work has been exhibited in juried exhibitions around the country. Polley received a Bachelor of Fine Arts degree from the Academy of Art College in San Francisco, where she had the opportunity to experiment with 19th-century photographic processes, such as daguerreotype, platinum and albumen printing. Though the work on view in the gallery at the moment, which is from her Vanitas series, is silver gelatin prints, alternative processes have become the central focus and passion of her work. Polley has worked part time as a fine-art darkroom printer for other photographers. She still keeps a darkroom and has no desire to switch to digital photography.
About Vanitas
The series Vanitas is inspired by European, especially Dutch Baroque, still-life painting. Vanitas, as a genre, employed props as reminders of the transience of life and the inevitability of death. These photographs are not intended to be slavish copies of Old Masters. Some of the original paintings deliberately contained seductive objects to make a moralistic stance about sin, while simultaneously celebrating life’s pleasures. I have turned this notion on its head by removing any moral undertones and simply concentrating on the sensuality of the photograph itself.
I have included many traditional objects symbolic of the transience of life, including fruit, flowers, overturned empty glasses, snuffed candles, sweets, jewelry, watches, portraits, and anything in a state of decay. Along the way I also chose my own symbolic objects, many of which have been literally cast off of living things, such as shells, cracked eggs, feathers, seed pods, and broken glass.
Considering that my immediate family and friends are, thankfully, all still alive and healthy, Vanitas may seem an odd theme. But I wanted to address a fear of loss in the future—loss of loved ones, of youth, of opportunities for happiness. I asked friends and family most dear to me for symbolic belongings to photograph, as a way to contain their memory while they still live.As I've worked on the series, the focus has shifted at times and now includes exploring loss that has already occurred in my life, such as a series of automobile accidents that caused me a loss of mobility and creativity, as well as a great-grandfather, known in his time as The Human Fly, whom I never met.
– Heather Polley
BILL MATTICK March 3 through April 30, 2009
ANDREA CAMUTO May 5 through June 13, 2009
BETH KIENTZLE June 16 through August 8, 2009
JERI EISENBERG
September 1 through October 17, 2009
JACQUELINE WALTERS
October 20 through November 28, 2009
HOME FOR THE HOLIDAYS
December 1, 2009 through January 2, 2010
Alyson Belcher
Charlotte Kay
Erin Malone
Heather Polley
Ron M. Saunders
Angelika Schilli
Michael Starkman
Kay Taneyhill
Barry Umstead
Jacqueline Walters
David Wolf
Roxanne Worthington
John Bergholm, Emeryville
Rebecca Chang, San Mateo
Adrienne Defendi, Palo Alto
Jon J. Eilenberg, Oakland
Kent Hasel, Walnut Creek
Mark Jaremko, San Mateo
Ann Jastrab, San Rafael
Beth Kientzle, Oakland
Bill Mattick, Berkeley
Halle Merrill, Berkeley
Charlotte Niel, Oakland
Mary Parisi, Pacifica
Andy Stewart, Berkeley
Anita White, Berkeley
SMaLL
January 5 through February 13, 2010
Katie Baum
John Bergholm
Gary Cawood
Pui-Quan Cheng
Adrienne Defendi
Malcolm Easton
Jon J. Eilenberg
Kent Hasel
Kirsten Hoving
Ann Jastrab
Beth Kientzle
Eric Larson
Tootie Nienow
Heather Polley
Charles Reilly
Charles Rozier
Ari Salomon
Ron M.Saunders
Elizabeth Siegfried
Anselm Skogstad
Susan Lynn Smith
Michael Starkman
Andy Stewart
MICHAEL STARKMAN
February 16 through March 27, 2010
LAURIE LAMBRECHT
March 30 through May 22, 2010
RON MOULTRIE SAUNDERS
May 25 through July 10, 2010
DOG DAYS: AN INTERNATIONAL COLLECTION OF CANINE IMAGES
July 13 through August 28, 2010
Giacomo Brunelli
Susan Burnstine
Mark Citret
Michael Crouser
Frank Espada
Susie Forrester
Alan George
Cig Harvey
Russell Joslin
Bill Mattick
Raymond Meeks
Aline Smithson
Vee Speers
Ann Texter
Natalie Young